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The tendency towards polarization in our society is rampant. We see it perhaps most clearly and prominently in political debates, but it happens all over the place, not the least of which being debates within and about the church. While polarizing voices do tend to get a lot of attention, it’s debatable whether they’re really all that helpful in any positive, constructive sense.

For that reason, I’m thankful for thoughtful people who know where they stand, but who aren’t intentionally or flippantly divisive about it. Tim Morey, author of Embodying Our Faith: Becoming a Living, Sharing, Practicing Church, is one of those thoughtful voices.

Morey is a pastor and church planter in California, and this book is a reworking of his dissertation from Fuller Seminary. What I so appreciate about the book is that while Morey asks a lot of penetrating questions (“Is a church really a church if it exists only for itself?â€?) he goes about the task humbly, without any apparent axe to grind. He seems genuinely concerned with helping the church – his own and the North American church more broadly – to become, as the subtitle says, a living, sharing, practicing church. His is a high ecclesiology without ever slipping into the realm of wishful thinking.

Morey writes as one who at one point walked away from the church before coming back to make pastoring and church planting his life’s work. This gives his perspective and insight some added legitimacy, in my opinion. He understands and empathizes with those in our “post-Christian� culture who have left the church or simply see no reason for it, but he is also deeply committed to help bring them back. Or, perhaps more accurately, he is committed to helping the church go to them. He takes up Lesslie Newbigin’s plea for the necessity of being a missionary church to our own Western culture and urges us to develop an “embodied apologetic� rather than a merely rational one.

Importantly, while urging us to embrace the “wholeâ€? gospel through an embodied apologetic including both compassion and evangelism as the fabric of our life, he warns that we run the risk of losing sight of the simple core of Christ’s teaching: discipleship. Highly rational, propositional evangelistic approaches – arguably the norm in evangelical churches – have tended to de-emphasize the importance of what’s supposed to happen between conversion and death. Many of us are guilty of a sort of bait-and-switch evangelism in which we offer a fire insurance policy for free and only later share the fine print about what is expected of us as Christians, disciples of Jesus. Alternately, others of us have tended to focus on compassion but never get around to what it is that’s uniquely Christian about our activity.

Morey comes to basically the same conclusion I have been coming to of late: discipleship entails a life in which compassion for others (regardless of need) and a call to conversion (most often a process rather than an event) are but two parts of a seamless whole.

Though he might have turned more heads and sold more books by taking sides in the hot-button theological debates of today, Morey has chosen the better way. He engages these pressing issues in a smart yet humble way and, through his example, urges us to move beyond reactionary rhetoric and towards the building up of a more Christ-like community of faith that truly embodies the good news for our neighbors.

Special thanks to the Origins Project and InterVarsity Press for providing this book for review, free of charge.

I’m sure it’s written in a rule book somewhere that to be a good missionary kid you have to read Peace Child by Don Richardson at some point. Well, I haven’t gotten around to it yet, but I did recently read the first book by his son, Paul. It’s called A Certain Risk: Living Your Faith at the Edge, published earlier this year by Zondervan. I received a copy of the book to review thanks to the Origins Project, a network of people who are passionate about Jesus, humanity, and innovation – in that order, I think.

By way of background, Richardson lives and works in the world’s largest Muslim nation, where he helps to run a network of innovative Christian schools. That right there warrants the book’s title, if you ask me.

In some ways, Richardson reminds me of John Eldredge, who has written about the Christian life being an adventure and how a lot of us settle for a pretty boring existence. He also reminded me of Erwin McManus with his one-word chapter titles like “Engage” and “Absorb” and “Release” and his talk of God’s dreams. The latter should come as no surprise, of course, since Richardson is connected to Mosaic and McManus even provided the forward. As for the former, whereas Eldredge tends to liken the Christian life to that of a gladiator or a samurai warrior, Richardson prefers to focus on the artistic side of things.

Quite a few of my friends are artists in one way or another. For any number of reasons I’m drawn to the creative type. I find their idiosyncrasies refreshing and fascinating, and honestly, I think I can relate to them because of it. I like artists. I like art. But I realized while reading this book that even so, I’ve tended to view art as somehow frivolous – somehow less important than real work, whatever that means.

Richardson draws our attention to Genesis, where we see that men and women are made in the image of God. And who is God? Throughout the Bible, our understanding of God deepens as he is called by many names and is alluded to through various metaphors and parables and, most fully, in the person of Jesus himself. But in Genesis, in the Garden, God is Creator. And it is in the Garden where we learn we’re made in his image. We are creative beings by design, which ought to suggest that in our churches maybe we’ve been wrong to marginalize the most creative and artistic people among us.

Now, obviously we’re not all made to sit at an easel wearing a beret and contemplating the reflection of the sun on lily pads, but I think the creation account in Genesis has a lot to teach us about vocation and about our calling as creative beings.

As an artist whose medium of choice is the written word, it makes a lot of sense to me when Don Miller writes about our life being a story. He uses a literary metaphor, and that clicks for me. If you’ve been looking for a theological green light to rip the head off a lion with your bare hands or ram a spear through someone’s armor, Eldredge might be for you. Of course, anger management therapy might be for you as well. But for artists of all sorts, Richardson’s artistic imagery will help to spur a creative response to the work of God in our lives.

Richardson connects artistry and creativity with the mission of God. You might think he would have left the frivolity of art behind in southern California when he moved to southeast Asia. But you’d be wrong. In fact, it’s at the core of what God is doing through him, his ministry, and the growing, evolving church of first-generation followers of Christ we read about in the book.

Exceptionally written and inspiringly real, it’s a different sort of “missions” book in the best possible sense. I sure hope this isn’t the last we hear from Paul Richardson; I have a hunch it won’t be.

Let’s use a bit of imagination, take a step of faith, and strike out to explore the possibilities that God has waiting. How might we activate our own assets to create in response to the opportunities in the world around us?

PS – You should know that despite the Gandhi in me, I have in fact enjoyed Eldredge’s books and have found them quite inspiring. They’re not nearly as crazy as I make them sound. Consider my exaggerated characterizations “creative expressions.” Much love, John. Let’s go scale an ice-capped mountain in the winter in our bare feet. Arrrh.